Just a quick reminder that the UPside exhibition is currently on at the Medcalf Gallery, 38–40 Exmouth Market and the Private View will be happening tomorrow night (21 September) from 6–9pm if you have a spare evening and fancy popping along to check out the show...
Here's a sneak peak at a section from one of my works in the exhibition featuring one of my personal reasons to be cheerful – eating sushi! *nom nom nom!*
So yesterday was the 30th anniversary of my arrival into the world, and some of my very talented friends made me some amazing birthday cards!
I'm starting work at the National Gallery at the end of the month as a Gallery Assistant, although after seeing the gallery bought to life by Agustin Coll in this brilliant illustration, I'm a bit scared about starting work there... hehe
Today is the 25th anniversary of Super Mario Bros. being released, which is one of the greatest video games ever (and also included in my recent Influence Map)! To celebrate I decided to draw a picture of Mario playing Super Mario Bros. ...and losing!
I've been busy the last few weeks producing work for the UPside exhibition, a group show that I'm taking part in along with 13 other artists. Yesterday we went along and sorted out hanging the work in the gallery.
I've got two pieces of work in the show, my series of portraits of my friends faces and another new piece, which you can just about make out in the photo above...
The exhibition opens today at the Medcalf Gallery on Exmouth Market, and will be up until Sunday 7 November (Mon-Sat 12–11pm, Sun 12–4pm).
While I usually steer clear of internet memes, I discovered this one today and subsequently spent more time than was probably healthy putting together my own Influence Map.
The idea is to put together a visual list of your creative influences. It was fun to sit and think about who and what have influenced me creatively over the years, and while the list is by no means definitive, I think it provides an interesting insight into where I draw some of my inspiration, with a mixture of cartoonists, illustrators, artists, comics and animations, as well as other mediums.
I'm currently putting the finishing touches to my work for the group exhibition I'm taking part in, but just wanted to take a moment to show you something else I've been working on.
The coffee chain Apostrophe have recently been running a competition to design an image to go on their special edition take-away coffee cups this winter. The design is limited to four colours (including white) and has to include the Apostrophe logo.
Here is my submission featuring a group of coffee-loving playful penguins...
Now comes the sales pitch. All the submissions are currently available to view on Apostrophe's Facebook page, and the five entries with the most "Likes" will join the five entries selected by the judges to go forward into the final ten. Obviously I'm hoping that the judges will like my entry enough to put it through on it's own merits, but just in case...
If you like my entry, please take a minute to go here and "Like" my drawing (You might need to join Apostrophe's Facebook page to do this) and who knows, you might be able to get a coffee with my drawing on the cup in time for Christmas! How cool would that be?!
Okay, so over the past few days I've been scribbling away working for the group exhibition that I'll be taking part in next month. You can read more about it here and here...
These are the first portraits of some of my friends that I've completed. I started working alphabetically through my list of friends, but quickly decided it would be more fun to work in a more haphazard approach and just draw people at random depending on my mood...
When I've completed all the portraits, I'll review the positioning of each portrait in relation to one another.
I'm enjoying the challenge of this project, to capture a good likeness of my friends and drawing a range of expressions, face shapes and hair styles. It's also quite interesting to concentrate solely on drawing a face with no added background details or elements.
The exhibition will be on from the 13 September until the 7 November at the Medcalf Gallery 40 Exmouth Market, London, EC1R 4QE.
I'm taking part in a group exhibition, to be held next month, alongside 13 other artists as part of our ongoing Playroom collective.
The exhibition is entitled UPside and aims to present a varied collection of private fascinations, small joys, curiosities and indulgences. In short, our reasons to be cheerful!
I've been doing some initial thinking about the project and decided that my own personal reason to be cheerful was my friends. Good friends are always there when you need them, and even when you don’t. They are there to share the good times and can help make a bad situation seem less so.
Or to put it another way...
Anyway, inspired by my recent illustration for Amelia's Magazine which involved a series of portraits, I decided to produce a number of portraits of my friends. My idea was for the final piece to be large in size (around A1) but the individual images to be relatively small, so that the work will reward closer viewing, while also providing a pleasing overall aesthetic.
I mocked-up a version of how I envisage the final piece to look, using a series of faces from recent birthday cards I've produced for friends...
I'm going to be working on this project over the next few weeks, and will post some more updates in the meantime.
The exhibition will be held at the Medcalf Gallery in Exmouth Market in September, and I will post the details of the dates and times of the exhibition as soon as we've finalised everything.
I was asked to produce an illustration to accompany an Amelia's Magazine article on the opening of the Sustainable Fashion Concept Store at 123 Bethnal Green Road. I was sent reference photos of some of the weird and wonderful fashionistas in attendance and set to work.
First thing I did was produce some sketches of some of my favourite people in the photos (the guy in the middle especially reminded me of the bit where the Statue Of Liberty starts walking through the city in Ghostbusters 2...).
This sketch gave me an idea for the finished illustration, based on the poster for the film Trainspotting. As with my recent Latitude illustrations, I was a bit concerned about all the different clashing colours creating a bit of a jumble when presented together, so I quite liked the idea to present the images in black and white which balanced the image and prevented certain characters from dominating the scene...
However, there was also something I liked about the crazy mish-mash of styles of these colourful characters, so I also created a colour version of each individual, but after a few attempts, decided that they worked best in isolation, as opposed to interacting with one another.
Fortunately Matt Bramford at Amelia's Magazine liked them enough to include all my illustrations alongside his article. It also made me interested in drawing more portraits and likenesses of people, which feeds in to my next blog post...
During my absence from the blogosphere (...does anyone actually use the word "blogosphere"??) I was asked to produce some illustrations for Amelia's Magazine to accompany a couple of articles reviewing this year's Latitude festival.
The first of these was a round-up of the Thursday evening and included a scene-setting illustration of the Latitude crowds. I got sent some photos that Amelia Gregory had taken on-site, and produced a combination of characters from these photos with some background extras.
Because it was a very busy scene with a lot going on, I decided not to over-complicate it by using too many colours, and opted to use a very limited colour scheme of yellow and blue to represent the brilliant weather that weekend. Of course, whenever there's a crowd the question has to be asked: Where's Wally?
...There he is!
The second illustration I produced was for a review of Friday at the Festival, and a performance by Turner Prize winner Martin Creed accompanied by his all-female band, a ballet dancer, and projections of bums and willies. Again I received some photos for reference from Amelia of various parts of the performance and selected various elements to create my illustration. The performance used a lot of red and blue lighting, and I decided to treat the colouring in a similar way to my previous Latitude illustration.